of-by-for 2012

(as Natl-Svgs w/ Andrew Mount)

puredata-patch, web-camera, digital projector, mixed-media

interactive event & temporary site installation March 2012 @ Radiator Gallery, Queens, NY

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We have learned a lot from OWS, although we might also say that what we have learned, we already knew. The treatment of the press came as no surprise, nor did the epithets of local and national politicians, clamoring for space in the media limelight.

Art has been thought to be at the heart of this protest all along. There have been artists within the protest, organizing and supporting, while others weave their work amongst the protesters and throngs of pedestrians. Many people have viewed the protest itself as an artwork; its status of becoming, rather than a fixed or defined being, resonates with particular meaning in such identifications. Art of course can accommodate such moments, and through this hospitality can offer to change somewhat to enable the work itself to be done. Perhaps the relevance of art today is bundled with its realization as a tool for the masses. We can look through the recent history of art to find several points of identification with this notion.

“Of, By, For” uses these ideas as its starting point. This work requires the interruption of the public in order for it to become legible. In order to construct a work aimed at reflection, “Of, By, For” uses the very same tools that the media and the policing authorities used against the protesters. Using pure data and projections, images are displayed either highly effected or clear and lucid. The interaction with this work creates legibility in its imagery. Ignoring or walking away from the work makes the images become distorted, effected, biased.

Natl Svgs have aimed to attenuate the circumstance of the protest as media frenzy, and in doing so, instigate a wider discussion about the position of citizenry, as we know it. The images that the work is constituted with are screenshots taken over a six-hour period from November 17, 2011. They are taken from a streamed reportage captured in NYC on the two-month anniversary of the Zuccotti Park’s occupation. One of the members of the protest walked the city in support of the OWS 2 month celebration, and streamed the images live.

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polling 2016

(as Natl-Svgs w/ Andrew Mount)

puredata-patch, dot matrix printer, arduino board, paper, ribbon ink

interactive event & temporary site installation November 2016 @ New York University, Puredata Convention, NY

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forest-fire 2016

puredata-patch, 8.1 channel ambisonic sound system, kinect

interactive event & site installation March 2016 Auricle Sonic Arts Gallery, Christchurch, NZ

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rock-gods 2013

puredata-patch, digital projector, computer vision, camera

interactive event & site installation April 2013 NY

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of-by-for 2012

(as Natl-Svgs w/ Andrew Mount)

puredata-patch, web-camera, digital projector, mixed-media

interactive event & temporary site installation March 2012 @ Radiator Gallery, Queens, NY

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sex-drive 2012

temperature controlled digital video, puredata-patch, CRT monitor

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compounds 2011

giclee on paper, wood 23cm x 17cm

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beating-hearts 2011

pencil, ink, giclee on paper

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police-code 2011

puredata patch, flat panel televisions, web camera, amplifiers, iemguts puredata library, wood

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rougue-sketches 2011

pencil, ink on paper

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we-box-you 2011

puredata patch, boxing gloves, projectors, computer

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seeds-of-sin 2010

interactive projection, puredata, arduino, webcam

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shadow-streams 2009

(with Andrew Mount and Redhouse Art Radio)

internet wifi radios, puredata

installation August 2009 São Paulo Museum of Image and Sound, São Paulo, Brazil as part of PDCon09

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trees-flies 2008

giclee, colored pencil on paper

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conversations 2008

mixed media installation, computer, puredata-patch.

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metaMap 2007

pencil/pen on wall, printed materials 2m x 1m

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edge-effects 2007

dirt, wheat grass, webcam, sensors, puredata, projector glass, paper, mixed media

interactive & site installation October 16th – November 16th 2007 @ Hartnett Gallery, Rochester, NY

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excavate-territory 2006

puredata, arduino, sensors, amplifiers, speakers, dirt

installation Summer 2006 Stone Quarry Art Park, Syracuse, NY

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structures-lakes 2005

photographs

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cohabit-territory 2005

wood, dirt, wheat grass, photographs, puredata patch, projection

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police-force 2004

puredata patches, projectors

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organize-territory 2004

photographs, wood, wheat seed, beer, sourdough bread, dirt, projection, puredata patch

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domain-squat 2001

web domains, web server

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pixel-floored 2000

photographs, glass

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pixel-boxed 2000

acrylic enamel on wood

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pixel-tiled 2000

metallic paint, photographic documentation

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pixel-placement 2000

metallic paint on canvas, site specific installation

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